Heavy Catnip Violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old English catte-nepe, cat-mint-or-catnip. As a color modifier, catnip implies a cat-mint-and-grey-green-cottage-herb quality, the visual register of English-cottage-and-Quaker-herb-garden-catnip hand-cat-mint-and-grey-green-cottage-herb English-cottage-and-Quaker-herb-garden-catnip-and-Tudor-still-room catnip-and-cat-mint surfaces under English-cottage-and-Quaker-herb-garden-catnip-and-Tudor-still-room Sussex-cottage-and-New-England-Quaker-garden cottage-herb-light. Sits at the modifier-and-flavor end of the grid, parallel to hyssop and lovage in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.