Prismatic Hortensia
Prismatic Hortensia (#B063F5) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (272°, 88%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek prísma, prism — adjectival suffix -ic. As a color modifier, prismatic implies a saturated-and-multi-spectrum-decomposed quality, the bright color of crystal-prism and cut-glass-chandelier light-refraction-spectrum decomposition. Sits at the bright-and-shifting end of the grid, parallel to iridescent and spectral in usage.
French and Italian for hydrangea (Hydrangea macrophylla) — particularly the deep-violet macrophylla cultivars whose color depends on aluminum availability and soil pH. Hortensia color refers to a fully bloomed Hydrangea macrophylla mophead in acidic Breton soil: a saturated, slightly cool deep violet with the velvet finish of dense aluminum-anthocyanin-bonded sepal-flowers. Named after Hortense de Beauharnais, stepdaughter of Napoleon and Queen of Holland.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.