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Pure Titan Crimson

#af2a26
Notes

Pure Titan Crimson (#AF2A26) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 64%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af2a26
RGB
rgb(175, 42, 38)
HSL
hsl(2, 64%, 42%)
HWB
hwb(2 15% 31%)
OKLCH
oklch(49.8% 0.170 27.3)
HSV
hsv(2, 78%, 69%)
LAB
lab(39.43% 52.69 35.53)
LCH
lch(39.43% 63.55 33.99)
CMYK
cmyk(0%, 76%, 78%, 31%)

Etymology

Pure
adjective

Latin purus, clean, unmixed — applied to color since antiquity for hues that contain only one pigment without dilution by white, black, or another color. Pure red is the textbook ideal: high saturation, mid lightness, no shift. Sits at the bold-bucket center, parallel to true and strong.

Titan
modifier

Greek Τιτάν, primeval-Titan-or-Saturn-moon. As a color modifier, titan implies a Saturn-moon-and-methane-haze-and-primeval quality, the visual register of Saturn-moon-Titan-and-Cassini-Huygens hand-Saturn-moon-and-methane-haze-and-primeval Saturn-moon-Titan-and-Cassini-Huygens-and-Kraken-Mare titan-and-Saturn-moon-and-methane-haze surfaces under Saturn-moon-Titan-and-Cassini-Huygens-and-Kraken-Mare orange-haze-and-cryo-volcano-and-methane-lake outer-system-light. Sits at the modifier-and-cosmic end of the grid, parallel to saturn and neptune in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af2a26
Original
#534a24
Protanopia
#736720
Deuteranopia
#c1002b
Tritanopia
#464646
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.18:1

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