Voluptuous Inca Violet

Latin voluptuōsus, pleasurable — derived from voluptās (pleasure). As a color modifier, voluptuous implies a saturated-and-rich-and-curving-sensual quality, the deep-rich color of Rubens-and-Boucher baroque-and-rococo flesh-and-fabric tonality. Sits at the bold-and-saturated end of the grid, parallel to lush and plush in tone.

Quechua Inka, prince. As a color modifier, inca implies a Cuzco-and-Andean-Imperial quality, the visual register of Inca-Empire hand-cut stone-and-textile-and-quipu Inca-Imperial Andean-Highland and-Sapa-Inca surfaces under high-altitude Inca-Empire Cuzco-and-Machu-Picchu Andean-Highland light. Sits at the modifier-and-cultural end of the grid, parallel to aztec and toltec in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.