Velvety Wraith Violet

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Scots wraith, ghost-or-apparition. As a color modifier, wraith implies a ghostly-and-pale-and-apparitional quality, the visual register of Highland-Scots-and-Border-Ballad-wraith hand-ghostly-and-pale-and-apparitional Highland-Scots-and-Border-Ballad-and-Hebridean wraith-and-ghostly-and-pale surfaces under Highland-Scots-and-Border-Ballad-and-Hebridean moonlit-and-mist-shrouded-and-pale graveyard-and-tarn-light. Sits at the modifier-and-mood end of the grid, parallel to pall and gloam in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.