Majestic Magenta
Majestic Magenta (#AB1784) is a true magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (316°, 76%, 38%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin māiestātis, majesty — adjectival suffix -ic. As a color modifier, majestic implies a saturated-and-imposing-grandeur quality, the deep-rich color of Salisbury-Cathedral-and-Chartres-Cathedral Gothic-architecture monumental presence against the open sky. Sits at the bold-and-imposing end of the grid, parallel to regal and imperial.
A synthetic aniline dye (fuchsine) introduced in 1859 and renamed in 1860 to commemorate the Franco-Sardinian victory over Austria at the Battle of Magenta in northern Italy. The dye produced the first vivid pink-purple textile color cheaply available to mass markets. The color refers to a freshly magenta-dyed silk: a saturated, slightly cool deep pink-purple with the satiny finish of synthetic-dyed natural fiber. Cooler than fuchsia, warmer than violet.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.