Kindled Indochina
Kindled Indochina (#AAC43D) is a true yellow with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (72°, 53%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old Norse kynda, to set on fire — past-participle of kindle. As a color modifier, kindled implies a saturated-and-newly-lit quality, the bright color of autumn-bonfire-and-stove-fire initial-combustion emission. Sits at the bright-and-warm end of the grid, parallel to ignited and aflame in usage.
The historical name for mainland Southeast Asia — Vietnam, Laos, Cambodia. Indochina as a color refers to the warm yellow of Cambodian and Vietnamese rice paddies in late autumn: a saturated, slightly red-shifted gold-yellow with the matte finish of ripening grain across an entire landscape.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.