Adamant Gown violet

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Old French goune, long-loose-garment. As a color modifier, gown implies a Tudor-and-Elizabethan-and-formal-evening-gown quality, the visual register of Tudor-and-Elizabethan-and-Worth-couture-gown hand-Tudor-and-Elizabethan-and-formal-evening-gown Tudor-and-Elizabethan-and-Worth-couture-gown-and-Belle-Époque gown-and-Tudor-and-Elizabethan surfaces under Tudor-and-Elizabethan-and-Worth-couture-gown-and-Belle-Époque Hampton-Court-and-Maison-Worth-Paris court-and-couture-light. Sits at the modifier-and-textile end of the grid, parallel to robe and frock in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.