Rich Pitted violet

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Old English pyt, pit / hole. As a color modifier, pitted implies a small-hole-and-mark-pattern quality, the visual register of worn-and-pitted-stone-and-leather hand-worn-and-pitted stone-and-leather-and-metal worn-and-pitted-mark-and-hole surfaces under worn-and-pitted-stone-and-leather aged light. Sits at the modifier-and-texture end of the grid, parallel to mossed and limed in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.