Frantic Aster
Frantic Aster (#A86DF1) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (267°, 83%, 69%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek phrenitikós, frenzied — adjectival suffix, sharing root with phrenitis (delirium). As a color modifier, frantic implies a saturated-and-rushed-and-overactive quality, the bright color of Memphis-Group 1980s-design over-the-top saturated visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frenetic and manic in usage.
The genus Aster — Greek for star — composite-family perennials whose blue-violet daisy-like flowers fill gardens in September and October when most other bloomers have finished. The color refers to a fresh New England aster (Symphyotrichum novae-angliae): a saturated, slightly violet-shifted blue with the matte finish of multi-rayed composite flowers. Cooler than veronica, warmer than larkspur, with the late-season weight of a flower that closes the perennial year.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.