Heavy Stalk Violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old English stealcung, to-walk-stealthily. As a color modifier, stalk implies a deliberate-and-stealthy-and-tracked quality, the visual register of Highland-stalker-and-stag-stalk hand-deliberate-and-stealthy-and-tracked Highland-stalker-and-stag-and-tracker stalked-and-deliberate-and-stealthy-and-tracked surfaces under Highland-stalker-and-stag-and-tracker heather-moor-and-corrie-and-deer-forest tracked-and-stealthy-light. Sits at the modifier-and-mood end of the grid, parallel to prowl and creep in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.