Clear Tǔ
Clear Tǔ (#A35C03) is a deep orange with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (33°, 96%, 33%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
From the Latin clarus, bright, distinct — used as a color modifier since the medieval period for hues without haze or mixing. Clear blue sky, clear green water: the implication is moderate saturation combined with optical clarity. Sits at the crisp-bucket center alongside clean and true.
The Chinese word for earth — the warm yellow-tan of loess soils that defined the cradle of Chinese civilization in the Yellow River valley. Tǔhuáng (earth-yellow) refers specifically to the loess deposits visible in the soil profile of Shaanxi and Gansu. The color refers to fresh loess in late-autumn light: a soft, slightly muted warm yellow-tan with the matte finish of fine wind-blown sediment.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.