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Resonant Vermiglione

#a2140e
Notes

Resonant Vermiglione (#A2140E) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (2°, 84%, 35%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a2140e
RGB
rgb(162, 20, 14)
HSL
hsl(2, 84%, 35%)
HWB
hwb(2 5% 36%)
OKLCH
oklch(45.6% 0.175 29.0)
HSV
hsv(2, 91%, 64%)
LAB
lab(34.43% 54.22 42.45)
LCH
lch(34.43% 68.86 38.06)
CMYK
cmyk(0%, 88%, 91%, 36%)

Etymology

Resonant
adjective

Latin resonāns, echoing — present-participle of resonate, sharing root with sonance. As a color modifier, resonant implies a saturated-and-deep-vibrating quality where the hue carries low-frequency visual richness. Sits at the bold-and-resonant end of the grid, parallel to sonorous and resounding in usage.

Vermiglione
noun

The Italian name for vermillion — used in the cinnabar-pigment chapters of Cennino Cennini's Il Libro dell'Arte and across Sienese and Florentine fresco. The color refers to vermiglione in a fifteenth-century altarpiece: a saturated, slightly orange red with the matte finish of egg-tempera-bound pigment. The Italian equivalent of bermellón.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a2140e
Original
#463d09
Protanopia
#685c01
Deuteranopia
#b30016
Tritanopia
#323232
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.64:1

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Canvas