Heavy Hide Violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old English hȳd, skin / hide. As a color modifier, hide implies a tanned-leather-and-skin quality, the visual register of cattle-and-deer-and-pig-hide hand-tanned-and-vegetable-tanned cattle-and-deer-and-pig-skin hand-tanned-leather-hide surfaces under tanned-leather-and-skin tanning-yard light. Sits at the modifier-and-texture end of the grid, parallel to pelt and fur in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.