Aglow Limone
Aglow Limone (#9FB029) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (68°, 62%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English on-glōwan, on-glow — sharing root with glow and gleam. As a color modifier, aglow implies a saturated-and-lit-from-within quality, the bright color of fireplace-and-jack-o-lantern interior-glow-lit warm-light emission against ambient darkness. Sits at the bright-and-warm end of the grid, parallel to glowing and aflame in usage.
The Italian word for lemon — borrowed via Arabic laymūn into Romance languages. Limone in Italian color vocabulary names the saturated cool yellow of fresh Sicilian lemons. The color refers to a freshly cut Sicilian limone: a saturated, slightly cool yellow with the matte finish of citrus rind. The Italian cousin of lemon.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.