Buttoned Mira Verdigris

Old French bouton, button — past-participle of button. As a color modifier, buttoned implies a clear-and-fastened-and-formal quality, the crisp color of Edwardian-period formal-attire fully-fastened-and-formally-dressed gentleman's-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Latin mira, wonderful-or-marvelous. As a color modifier, mira implies a variable-pulsing-and-red-giant-and-wondrous quality, the visual register of Cetus-Whale-and-variable-Mira-the-Wonder hand-variable-pulsing-and-red-giant-and-wondrous Cetus-Whale-and-variable-Mira-and-Hevelius-discovery mira-and-variable-pulsing-and-red-giant-and-wondrous surfaces under Cetus-Whale-and-variable-Mira-and-Hevelius-discovery 332-day-cycle-and-deep-red-pulse pulsing-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to nova and pulsar in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.