Velvety Salve Brick

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Latin salve, hail-or-be-well. As a color modifier, salve implies a Latin-greeting-and-Salve-Regina-and-Roman-salute quality, the visual register of Salve-Regina-and-Pompeii-salve hand-Latin-greeting-and-Salve-Regina-and-Roman-salute Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic salve-and-Latin-greeting surfaces under Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic Pompeian-mosaic-and-Marian-antiphon Roman-greeting-light. Sits at the modifier-and-Latin end of the grid, parallel to ave and pax in usage.

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.