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Gladiatorial Tulip

#912bad
Notes

Gladiatorial Tulip (#912BAD) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (287°, 60%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#912bad
RGB
rgb(145, 43, 173)
HSL
hsl(287, 60%, 42%)
HWB
hwb(287 17% 32%)
OKLCH
oklch(50.2% 0.204 317.8)
P3
color(display-p3 0.5242 0.1989 0.6554)
HSV
hsv(287, 75%, 68%)
LAB
lab(39.18% 59.95 -48.75)
LCH
lch(39.18% 77.27 320.88)
CMYK
cmyk(16%, 75%, 0%, 32%)

Etymology

Gladiatorial
adjective

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Tulip
noun

The genus Tulipa — Central Asian bulbs cultivated in Ottoman gardens, brought to Europe in the sixteenth century, and famously the subject of tulipomania in the 1630s Dutch Republic. The color refers to a deep purple Tulipa hybrid in spring bloom: a saturated, slightly red-shifted deep purple with the satiny finish of a six-petaled goblet. Cooler than orchid, warmer than indigo, with the cultivation history of a flower that briefly cost more than houses.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#912bad
Original
#0056b1
Protanopia
#305faa
Deuteranopia
#90466a
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##912BAD
Display P3
Display P3
color(display-p3 0.5242 0.1989 0.6554)
P3 has visible headroomOKLCH chroma 0.204

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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