Easy Vala Verdigris

Old French aisié, comfortable, at rest — used as a color modifier since the eighteenth century for hues that read as visually undemanding. Easy beige, easy gray: moderate saturation combined with optical restfulness. Sits at the crisp-bucket center alongside calm and settled.

Old Norse völva, Norse-seeress-and-staff-bearer. As a color modifier, vala implies a Norse-seeress-and-staff-bearer-and-prophetess quality, the visual register of Norse-vala-seeress-and-staff hand-Norse-seeress-and-staff-bearer-and-prophetess Norse-vala-seeress-and-staff-and-Voluspa-Edda vala-and-Norse-seeress-and-staff-bearer surfaces under Norse-vala-seeress-and-staff-and-Voluspa-Edda Saga-Iceland-and-rune-stave seeress-prophecy-light. Sits at the modifier-and-myth end of the grid, parallel to norn and freya in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.