Tomblike Bermellón
Tomblike Bermellón (#84021F) is a deep red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (347°, 97%, 26%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek tymbos, tomb — adjectival suffix -like. As a color modifier, tomblike implies the deep-and-funereal-and-sepulchral quality of Etruscan-and-Egyptian rock-cut royal-tomb interiors, particularly the Valley-of-the-Kings and Cerveteri-necropolis hand-carved chamber-painting walls. Sits at the deep-and-funereal end of the grid, parallel to sepulchral and crypted.
Spanish for vermillion — the cinnabar-derived pigment used in the painted altarpieces of Castilian and Andalusian baroque. The color refers to a freshly mixed bermellón in a Sevillian polychrome workshop: a saturated, slightly orange red with the high gloss of pigment in oil. The Spanish equivalent of shu — different language, same mineral.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.