Workmanlike Türkis
Workmanlike Türkis (#83E9CC) is a soft teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (163°, 70%, 71%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.
The German word for turquoise — borrowed via medieval Italian turchese (Turkish stone). Used in German jewelry vocabulary for the saturated blue-green of Iranian and American Southwest turquoise. The color refers to a Sleeping Beauty türkis cabochon: a saturated, slightly cool deep blue-green. The Germanic cousin of turquoise.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.