Dim Dan
Dim Dan (#800B44) is a deep magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (331°, 84%, 27%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English dim, dark, obscured. As a color modifier, dim implies reduced luminance without specific saturation effect — a dim red is a less luminous version of red rather than a less saturated one. Sits at the value-only end of the deep grid, closer to dark than to plush.
The classical Chinese name for vermillion — the cinnabar-and-lead-tetroxide pigment used in Daoist alchemy (dan meaning elixir) and in the painted decoration of Han-period lacquerware. The color refers to dan-pigment on silk: a saturated, slightly orange red with the matte finish of refined mineral. Brighter than zhusha, warmer than vermillion.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.