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Saturated Anil

#7a49ce
Notes

Saturated Anil (#7A49CE) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (262°, 58%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7a49ce
RGB
rgb(122, 73, 206)
HSL
hsl(262, 58%, 55%)
HWB
hwb(262 29% 19%)
OKLCH
oklch(53.3% 0.195 296.0)
P3
color(display-p3 0.4515 0.2952 0.7798)
HSV
hsv(262, 65%, 81%)
LAB
lab(43.30% 49.27 -61.57)
LCH
lch(43.30% 78.86 308.67)
CMYK
cmyk(41%, 65%, 0%, 19%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Anil
noun

Portuguese and Spanish for Indigofera tinctoria — derived via the Arabic al-nīl from the Sanskrit nīla (dark blue), the colonial-era European name for indigo before indigo itself supplanted it in the 18th century. Anil color refers to a freshly anil-dyed Portuguese azulejo-period linen: a saturated, slightly cool deep blue-violet with the matte finish of multi-bath fermentation indigo on hand-spun linen.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7a49ce
Original
#0067d2
Protanopia
#0064cb
Deuteranopia
#656885
Tritanopia
#5d5d5d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7A49CE
Display P3
Display P3
color(display-p3 0.4515 0.2952 0.7798)
P3 has visible headroomOKLCH chroma 0.195

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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