Steady Polar
Steady Polar (#6FECED) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (180°, 78%, 68%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English stede, place, position — drifted to mean firm and unmoving. Used as a color modifier since the seventeenth century for hues that read as reliable rather than dramatic. Steady gray, steady green: moderate saturation combined with optical calmness. Sits in the crisp-bucket center alongside settled.
Of the polar — the ice caps and the meltwater seas at the high latitudes. The color refers to polar sea ice on a clear day at the height of summer melt: a soft, slightly green-shifted very pale blue with the optical brightness of bubble-rich ice. Lighter than glacier, cooler than frost, with the climatological weight of a region whose color is rapidly disappearing.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.