Mighty Stichtite
Mighty Stichtite (#6F36B2) is a true indigo with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (268°, 53%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English mihtig, strong — adjectival suffix -y, sharing root with German mächtig. As a color modifier, mighty implies a saturated-and-strong-presence quality, where the hue commands visual attention through pure pigmentation strength. Sits at the bold-and-saturated end of the grid, parallel to forceful and commanding in tone.
Rare violet-pink chromium-bearing mineral first described from the Dundas deposits of Tasmania in 1910 by Robert Sticht. Stichtite color refers to a polished Dundas stichtite-and-serpentine cabochon: a saturated, slightly cool deep violet with the silky finish of fibrous magnesium-chromium hydroxide-carbonate. The mineral is the chromium-substituted analog of brugnatellite, valued in lapidary work for its banded color.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.