Solid Eustoma
Solid Eustoma (#695EF3) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (244°, 86%, 66%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.
Mexican-Texan prairie gentian (Eustoma grandiflorum) — marketed worldwide as lisianthus, a long-stemmed cut-flower industry staple with deep-violet rose-form blooms. Eustoma color refers to a freshly cut Eustoma grandiflorum fully opened bloom: a saturated, slightly cool deep blue-violet with the velvet finish of overlapping ruffled tepals. The Greek genus name eu-stoma means fine-mouthed, after the wide-throated corolla.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.