Unyielding Starlight
Unyielding Starlight (#6151D8) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (247°, 63%, 58%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English un- (negation) plus gildan (to give-up). As a color modifier, unyielding implies a saturated-and-uncompromising quality where the hue refuses to fade-or-shift under any visual pressure. Sits at the bold-and-resilient end of the grid, parallel to indomitable and adamant in usage.
The integrated visible spectrum of the Milky Way's faint stars — about 500 times dimmer than full moonlight and richly blue-violet at high galactic-latitude viewing angles where dust extinction is minimized. Starlight color refers to the deep-blue night-sky background between the brightest stars on a moonless dark-site night: a saturated, slightly cool deep blue-violet with the optical complexity of integrated multi-stellar Rayleigh-scattered atmospheric light.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.