Ominous Pelargonium
Ominous Pelargonium (#610449) is a deep magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (315°, 92%, 20%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin ōminōsus, full of foreboding — derived from omen. As a color modifier, ominous implies a deep-and-threatening atmospheric-foreboding quality, the dark cool-gray of Goyaesque storm-laden sky. Sits at the deep-and-threatening end of the grid, parallel to foreboding and menacing in tone.
South African Pelargonium genus — particularly the P. × hortorum and P. peltatum (zonal and ivy-leaved geraniums), cultivated worldwide for their deep-magenta-to-scarlet umbels. Pelargonium color refers to a fully bloomed P. × hortorum terminal umbel on a Mediterranean balcony: a saturated, slightly cool deep magenta with the velvet finish of fresh five-petaled flowers in dense radiating clusters. Greek pelargós (stork).
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.