Bastioned Aniline
Bastioned Aniline (#5D55E8) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (243°, 76%, 62%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Italian bastionato, fortified-with-bastions — past-participle of bastion, derived from bastia (fortified-tower). As a color modifier, bastioned implies a saturated-and-fortified-and-projecting quality, the deep-rich color of Vauban-period military-fortress star-fort projecting-bastion stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.
Synthetic-organic dye class first synthesized in 1856 by William Henry Perkin from coal-tar derivatives — named after the Portuguese anil (indigo) since Perkin's first mauveine was a synthetic stand-in for natural indigo's overdyed violets. Aniline color refers to a freshly aniline-mauveine-dyed Victorian silk: a saturated, slightly cool deep blue-violet with the silky luster of the first-ever industrial synthetic dye on Lyon silk.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.