Lurid Loggia Lime

Latin lūridus, pale-yellow / sickly — sharing root with lūror (yellowish-pallor). As a color modifier, lurid implies a saturated-and-shocking-and-sickly-bright quality, the bright color of Penny-Dreadful-and-Pulp-Fiction sensational-cover-art bright-and-pulpy printing. Sits at the bright-and-shocking end of the grid, parallel to garish and gaudy in usage.

Italian loggia, roofed-open-gallery. As a color modifier, loggia implies an Italian-and-Mediterranean-roofed-open-gallery quality, the visual register of Italian-Renaissance-and-Mediterranean-loggia hand-built roofed-open-gallery loggia-and-arcade-and-pergola architectural surfaces under Italian-Renaissance-and-Mediterranean loggia-arcade afternoon light. Sits at the modifier-and-architecture end of the grid, parallel to atrium and stoa in usage.

Citrus aurantiifolia and its key-lime cousin — small, intensely sour green citrus carried by Arab traders from Southeast Asia to the Mediterranean by the eleventh century, then to the Caribbean with Columbus. The color refers to the skin of a fully ripe Persian lime: a saturated, slightly yellow-shifted green with the matte finish of citrus rind. Cooler than chartreuse, sharper than sage, with the same chlorophyll the fruit loses if left to ripen to yellow.