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Fresh Chiton Turquoise

#56ecdb
Notes

Fresh Chiton Turquoise (#56ECDB) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (173°, 80%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#56ecdb
RGB
rgb(86, 236, 219)
HSL
hsl(173, 80%, 63%)
HWB
hwb(173 34% 7%)
OKLCH
oklch(85.9% 0.128 184.5)
P3
color(display-p3 0.5121 0.9133 0.8582)
HSV
hsv(173, 64%, 93%)
LAB
lab(85.54% -43.39 -3.49)
LCH
lch(85.54% 43.53 184.60)
CMYK
cmyk(64%, 0%, 7%, 7%)

Etymology

Fresh
adjective

Old English fersc, unsalted / not stale — sharing root with German frisch. As a color modifier, fresh implies a clear-and-newly-applied quality where the hue carries the just-emerged visual register. Sits at the crisp-and-clean end of the grid, parallel to crisp and new in usage.

Chiton
modifier

Greek χιτών, Hellenic-tunic. As a color modifier, chiton implies a Hellenic-tunic-and-pinned-and-pleated quality, the visual register of Hellenic-Doric-and-Ionic-chiton hand-Hellenic-tunic-and-pinned-and-pleated Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon chiton-and-Hellenic-tunic surfaces under Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon Athenian-Acropolis-and-Hellenic-court Hellenic-tunic-light. Sits at the modifier-and-textile end of the grid, parallel to peplos and tunic in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#56ecdb
Original
#e1dfda
Protanopia
#cbcfdd
Deuteranopia
#00f1e7
Tritanopia
#cbcbcb
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.42:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##56ECDB
Display P3
Display P3
color(display-p3 0.5121 0.9133 0.8582)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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