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Resounding Atitlán

#556ef5
Notes

Resounding Atitlán (#556EF5) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (231°, 89%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#556ef5
RGB
rgb(85, 110, 245)
HSL
hsl(231, 89%, 65%)
HWB
hwb(231 33% 4%)
OKLCH
oklch(59.4% 0.203 271.0)
P3
color(display-p3 0.3532 0.4286 0.9281)
HSV
hsv(231, 65%, 96%)
LAB
lab(51.47% 32.93 -70.54)
LCH
lch(51.47% 77.85 295.02)
CMYK
cmyk(65%, 55%, 0%, 4%)

Etymology

Resounding
adjective

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Atitlán
noun

Mayan-named volcanic crater lake in Guatemala's western highlands, surrounded by Tolimán, San Pedro, and Atitlán volcanoes. The lake's depth and volcanic basement give it an unusual deep blue-violet at certain light angles. Atitlán color refers to Lake Atitlán surface at crepuscule in clear weather: a saturated, slightly cool deep blue-violet with the optical complexity of deep-water Rayleigh-scattered indigo light.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#556ef5
Original
#0082fa
Protanopia
#0074f2
Deuteranopia
#008fa7
Tritanopia
#727272
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##556EF5
Display P3
Display P3
color(display-p3 0.3532 0.4286 0.9281)
P3 has visible headroomOKLCH chroma 0.203

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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