Opulent Khmer Royal

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Sanskrit Khmer, Cambodian. As a color modifier, khmer implies an Angkorian-and-temple-complex quality, the visual register of Angkor-Wat-and-Bayon Khmer-Empire hand-built sandstone-and-laterite temple-and-jungle-overgrown-stonework surfaces under Angkor-Wat-and-Bayon Cambodian-jungle-canopy filtered tropical light. Sits at the modifier-and-cultural end of the grid, parallel to toltec and median in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.