colors
Back to gallery

Fortified Niche Ultramarine

#5276df
Notes

Fortified Niche Ultramarine (#5276DF) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (225°, 69%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#5276df
RGB
rgb(82, 118, 223)
HSL
hsl(225, 69%, 60%)
HWB
hwb(225 32% 13%)
OKLCH
oklch(59.3% 0.165 267.1)
HSV
hsv(225, 63%, 87%)
LAB
lab(51.92% 20.03 -57.49)
LCH
lch(51.92% 60.88 289.21)
CMYK
cmyk(63%, 47%, 0%, 13%)

Etymology

Fortified
adjective

Latin fortificāre, to make strong — past-participle of fortify. As a color modifier, fortified implies a saturated-and-strengthened-and-defensive quality, the deep-rich color of Vauban-style military-fortification stone-and-earth rampart-and-bastion architecture. Sits at the bold-and-fortified end of the grid, parallel to bastioned and armored.

Niche
modifier

Italian nicchia, recess. As a color modifier, niche implies a wall-recess-for-statue-or-icon quality, the visual register of Roman-Catholic-and-Renaissance-niche hand-cut wall-recess-and-shell-shaped niche-for-statue-or-icon architectural surfaces under candle-and-niche-statue-and-icon devotional light. Sits at the modifier-and-architecture end of the grid, parallel to alcove and atrium in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#5276df
Original
#4183e3
Protanopia
#2576dd
Deuteranopia
#008ea0
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.19:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.02:1

Related Colors

Canvas