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Ignited Quay Kelly

#51ac56
Notes

Ignited Quay Kelly (#51AC56) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (123°, 36%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#51ac56
RGB
rgb(81, 172, 86)
HSL
hsl(123, 36%, 50%)
HWB
hwb(123 32% 33%)
OKLCH
oklch(66.8% 0.150 144.7)
P3
color(display-p3 0.4113 0.6664 0.3750)
HSV
hsv(123, 53%, 67%)
LAB
lab(63.28% -45.20 35.94)
LCH
lch(63.28% 57.75 141.51)
CMYK
cmyk(53%, 0%, 50%, 33%)

Etymology

Ignited
adjective

Latin ignīre, to set on fire — past-participle of ignite. As a color modifier, ignited implies a saturated-and-just-started-burning quality, the bright color of match-strike-and-flint-spark initial-combustion emission. Sits at the bright-and-warm end of the grid, parallel to kindled and aflame in usage.

Quay
modifier

Old French quai, wharf. As a color modifier, quay implies a stone-built-harbor quality, the visual register of Cornish-and-Mediterranean stone-built fishing-harbor-and-trading-port quay-side stone-paved-and-iron-bollard surfaces in early-morning Mediterranean-and-Cornish-fishing-harbor light. Sits at the modifier-and-place end of the grid, parallel to wharf and jetty in usage.

Kelly
noun

A bright yellow-green named for the Irish surname Kelly, common enough by the late nineteenth century to stand in for generic Irish in American slang. The color is the saturated, optically bright green of a Saint Patrick's Day parade: cleaner than shamrock, brighter than fern, with the pop-culture weight of a color used annually for green beer, green carnations, and the Chicago River.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#51ac56
Original
#af9e4f
Protanopia
#a3965c
Deuteranopia
#42a898
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.84:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##51AC56
Display P3
Display P3
color(display-p3 0.4113 0.6664 0.3750)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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