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Level Wend Verdigris

#4fc2ba
Notes

Level Wend Verdigris (#4FC2BA) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (176°, 49%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4fc2ba
RGB
rgb(79, 194, 186)
HSL
hsl(176, 49%, 54%)
HWB
hwb(176 31% 24%)
OKLCH
oklch(74.7% 0.104 188.8)
HSV
hsv(176, 59%, 76%)
LAB
lab(72.09% -34.13 -5.69)
LCH
lch(72.09% 34.60 189.47)
CMYK
cmyk(59%, 0%, 4%, 24%)

Etymology

Level
adjective

Latin libella, small-balance / level-tool — sharing root with libra (balance). As a color modifier, level implies a clear-and-horizontal-true quality where the hue carries the visual register of gravity-perpendicular-and-perfectly-horizontal surface. Sits at the crisp-and-balanced end of the grid, parallel to plumb and flat in usage.

Wend
modifier

Old English wendan, to-turn-or-go. As a color modifier, wend implies a winding-and-turning-and-meandered quality, the visual register of pilgrim-path-and-river-wend hand-winding-and-turning-and-meandered pilgrim-path-and-river-and-Roman-road wended-and-winding-and-turning-and-meandered surfaces under pilgrim-path-and-river-and-Roman-road Camino-and-Pennine-Way-and-Kumano hilltop-pilgrim-light. Sits at the modifier-and-mood end of the grid, parallel to drift and roam in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4fc2ba
Original
#b8b8ba
Protanopia
#a6abbb
Deuteranopia
#00c7bf
Tritanopia
#a9a9a9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.15:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.76:1

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