Stripped Uranus Verdigris

Old English stripian, to strip — past-participle of strip. As a color modifier, stripped implies a clear-and-bared-and-unornamented quality, the crisp color of Cistercian-and-Bauhaus anti-ornamental stripped-down architectural interior. Sits at the crisp-and-stripped end of the grid, parallel to spare and bare in usage.

Greek Οὐρανός, primeval-sky-god-and-seventh-planet. As a color modifier, uranus implies a primeval-sky-god-and-pale-cyan-seventh-planet quality, the visual register of Greek-Uranus-and-Herschel-discovery hand-primeval-sky-god-and-pale-cyan-seventh-planet Greek-Uranus-and-Herschel-discovery-and-tilted-axis uranus-and-primeval-sky-god surfaces under Greek-Uranus-and-Herschel-discovery-and-tilted-axis 1781-Slough-discovery-and-side-rolling-planet pale-cyan-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to neptune and saturn in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.