Lush Phase Royal

Middle English lush, possibly from lascious, lascivious — a word that drifted from sensual ripeness toward visual abundance. Used as a color word since the eighteenth century for the saturated greens of well-watered foliage and the deep saturated jewel tones of velvet upholstery. Used across the deep and bold buckets where the hue is simultaneously dark and vivid.

Greek phásis, appearance / phase-of-the-moon. As a color modifier, phase implies a moon-phase-and-cycle-stage quality, the visual register of lunar-and-tidal-cycle moon-phase-and-tidal-rhythm waxing-and-waning lunar-cycle surfaces under waxing-and-waning lunar-cycle light. Sits at the modifier-and-time end of the grid, parallel to cycle and wane in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.