Manorial Flit Royal

Latin manōrium, dwelling — adjectival suffix -al, derived from manēre (to remain). As a color modifier, manorial implies a saturated-and-aristocratic-and-rural quality, the deep-rich color of pre-modern English manor-house livery-and-tapestry tradition. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and patrician.

Old Norse flytja, to-move-or-shift. As a color modifier, flit implies a quick-darting-and-light-winged quality, the visual register of swallow-and-warbler-flit hand-quick-darting-and-light-winged swallow-and-warbler-and-darting-finch flitted-and-quick-darting-and-light-winged surfaces under swallow-and-warbler-and-darting-finch summer-eaves-and-hedgerow-and-meadow-edge dappled-flight-light. Sits at the modifier-and-mood end of the grid, parallel to hover and flutter in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.