Alight Omen Turquoise

Old English ā-lihtan, to set alight — past-participle of alight. As a color modifier, alight implies a saturated-and-currently-illuminated quality, the bright color of Christmas-tree and Diwali-lamp festival-decoration illuminated-and-twinkling emission. Sits at the bright-and-warm end of the grid, parallel to aflame and aglow in usage.

Latin omen, prophetic-sign-or-portent. As a color modifier, omen implies a prophetic-sign-and-augur-and-portent quality, the visual register of Roman-augur-omen-and-Etruscan-haruspex hand-prophetic-sign-and-augur-and-portent Roman-augur-omen-and-Etruscan-haruspex-and-bird-flight omen-and-prophetic-sign-and-augur surfaces under Roman-augur-omen-and-Etruscan-haruspex-and-bird-flight Capitoline-Hill-and-Etruscan-templum prophetic-sign-light. Sits at the modifier-and-myth end of the grid, parallel to sigil and rune in usage.

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.