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Tucked Spun Verdigris

#3ea49c
Notes

Tucked Spun Verdigris (#3EA49C) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (175°, 45%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3ea49c
RGB
rgb(62, 164, 156)
HSL
hsl(175, 45%, 44%)
HWB
hwb(175 24% 36%)
OKLCH
oklch(65.8% 0.094 187.9)
HSV
hsv(175, 62%, 64%)
LAB
lab(61.63% -31.10 -4.59)
LCH
lch(61.63% 31.44 188.40)
CMYK
cmyk(62%, 0%, 5%, 36%)

Etymology

Tucked
adjective

Old English tūcian, to torment / pull — past-participle of tuck. As a color modifier, tucked implies a clear-and-fitted-and-arranged quality where the hue carries the visual register of carefully-tucked-and-neatly-fitted shirt-into-trouser dress-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Spun
modifier

Old English spinnan, to-spin. As a color modifier, spun implies a hand-spun-fiber quality, the visual register of hand-spinning-wheel hand-spun-and-twisted wool-and-flax-and-cotton hand-spun-fiber-on-spinning-wheel surfaces under hand-spun-and-twisted spinning-wheel working light. Sits at the modifier-and-texture end of the grid, parallel to woven and knit in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3ea49c
Original
#9b9c9c
Protanopia
#8c909d
Deuteranopia
#00a8a1
Tritanopia
#8e8e8e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.00:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
7.00:1

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