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Heavy Zenith Tanzanite

#3c37a9
Notes

Heavy Zenith Tanzanite (#3C37A9) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (243°, 51%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3c37a9
RGB
rgb(60, 55, 169)
HSL
hsl(243, 51%, 44%)
HWB
hwb(243 22% 34%)
OKLCH
oklch(41.9% 0.176 277.6)
P3
color(display-p3 0.2319 0.2164 0.6381)
HSV
hsv(243, 67%, 66%)
LAB
lab(30.78% 37.44 -60.47)
LCH
lch(30.78% 71.12 301.77)
CMYK
cmyk(64%, 67%, 0%, 34%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Zenith
modifier

Arabic samt-al-ra's, path-overhead. As a color modifier, zenith implies an overhead-pointing-and-high-point quality, the visual register of celestial-sphere-and-overhead-Zenith hand-overhead-pointing-and-high-point celestial-sphere-and-overhead-and-Zenith-pole zenith-and-overhead-pointing-and-high-point surfaces under celestial-sphere-and-overhead-and-Zenith-pole astronomical-and-celestial-mechanics overhead-axis-light. Sits at the modifier-and-cosmic end of the grid, parallel to nadir and axis in usage.

Tanzanite
noun

A blue-violet variety of zoisite — discovered in 1967 in a single small area of northern Tanzania near Mount Kilimanjaro and marketed by Tiffany & Co. shortly after. The color refers to a faceted tanzanite cut to maximize its strong pleochroism: a saturated, slightly violet-shifted deep blue-purple with the gem's signature internal life. Cooler than amethyst, warmer than iolite, with the gem-trade specificity of a stone that occurs in exactly one place on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3c37a9
Original
#004dad
Protanopia
#0044a7
Deuteranopia
#00556b
Tritanopia
#404040
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.08:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3C37A9
Display P3
Display P3
color(display-p3 0.2319 0.2164 0.6381)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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