Direct Mongol Verdigris

From the Latin directus, straight — used as a color modifier since the eighteenth century for hues that read as straightforward and unambiguous. Direct red, direct green: moderate-to-high saturation combined with optical clarity. Sits at the crisp-bucket center alongside clear and frank.

Mongolian Mongɣol, Mongol. As a color modifier, mongol implies a steppe-and-Khanate quality, the visual register of Mongol-Khanate-of-Genghis Central-Asian steppe-Empire hand-built ger-and-mounted-cavalry-and-felt-rug-and-Khan-court surfaces under Karakorum-and-Mongolian-steppe Khanate-and-mounted-cavalry open-sky light. Sits at the modifier-and-cultural end of the grid, parallel to tatar and hun in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.