Adamant Glazed Royal

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Old English glæs, glass. As a color modifier, glazed implies a fired-pottery-glaze-and-glass-coating quality, the visual register of Stoke-on-Trent-and-Italian-Maiolica-glazed hand-applied-and-fired ceramic-and-pottery-and-tile-glaze Stoke-on-Trent-and-Italian-Maiolica glazed-pottery surfaces under Stoke-on-Trent-and-Italian-Maiolica hand-glazed pottery-and-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to gloss and enameled in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.