Dim Sapporo
Dim Sapporo (#3A298A) is a true indigo with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (251°, 54%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English dim, dark, obscured. As a color modifier, dim implies reduced luminance without specific saturation effect — a dim red is a less luminous version of red rather than a less saturated one. Sits at the value-only end of the deep grid, closer to dark than to plush.
Capital of Japan's Hokkaido island — a city famous for its annual February Yuki Matsuri (Snow Festival) with deep-twilight blue lighting on illuminated snow sculptures along the Ōdōri Park boulevard. Sapporo color refers to a Yuki Matsuri night-sky over an illuminated snow sculpture: a saturated, slightly cool deep blue-violet with the optical complexity of artificial illumination on snow-reflected sky.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.