Smooth Prowl Verdigris

Old English smōþ, level, polished — used as a color modifier since the seventeenth century for hues that read as continuous without texture or break. Smooth tan, smooth gray: moderate saturation combined with optical evenness. Sits in the crisp-bucket alongside even.

Middle English prollen, to-roam-and-search. As a color modifier, prowl implies a stalking-and-hunting-and-watchful quality, the visual register of panther-and-tiger-prowl hand-stalking-and-hunting-and-watchful panther-and-tiger-and-leopard prowled-and-stalking-and-hunting-and-watchful surfaces under panther-and-tiger-and-leopard jungle-and-savanna-and-night-forest big-cat-light. Sits at the modifier-and-mood end of the grid, parallel to stalk and lurk in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.