Flat Hermes Verdigris

Old Norse flatr, flat / level. As a color modifier, flat implies a clear-and-evenly-spread quality where the hue carries the matte-finish visual register of unmodulated single-plane surface. Sits at the crisp-and-balanced end of the grid, parallel to level and even in usage.

Greek Ἑρμῆς, messenger-of-the-Olympian-gods. As a color modifier, hermes implies a winged-sandal-and-caduceus-and-messenger quality, the visual register of Praxiteles-Hermes-and-Olympia-marble hand-winged-sandal-and-caduceus-and-messenger Praxiteles-Hermes-and-Olympia-marble-and-Hellenistic-bronze hermes-and-winged-sandal-and-caduceus surfaces under Praxiteles-Hermes-and-Olympia-marble-and-Hellenistic-bronze Olympian-pantheon-and-marketplace Mediterranean-marble-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and atlas in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.