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Abundant Indaco

#3663b8
Notes

Abundant Indaco (#3663B8) is a true azure with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (219°, 55%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3663b8
RGB
rgb(54, 99, 184)
HSL
hsl(219, 55%, 47%)
HWB
hwb(219 21% 28%)
OKLCH
oklch(51.3% 0.143 261.7)
HSV
hsv(219, 71%, 72%)
LAB
lab(43.01% 13.60 -49.52)
LCH
lch(43.01% 51.35 285.36)
CMYK
cmyk(71%, 46%, 0%, 28%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Indaco
noun

The Italian word for indigo — borrowed via Greek indikon (Indian thing). Indaco in Italian art vocabulary refers specifically to the deep-blue plant-dye pigment used in Italian Renaissance painting for the Marian mantles and aristocratic dress. The color refers to indaco pigment in tempera: a saturated, slightly cool deep blue. The Italian cousin of indigo.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3663b8
Original
#376cbb
Protanopia
#1c60b6
Deuteranopia
#007784
Tritanopia
#606060
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.63:1

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