Velvety Court Royal

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old French cort, enclosed-yard. As a color modifier, court implies an enclosed-courtyard quality, the visual register of Inn-of-Court-and-Chinese-courtyard hand-built stone-and-tile-paved enclosed-and-formal courtyard-architecture surfaces under London-Inn-of-Court-and-Chinese-courtyard enclosed-formal architecture light. Sits at the modifier-and-place end of the grid, parallel to quad and yard in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.