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Pressed Prism Lagoon

#31bfe2
Notes

Pressed Prism Lagoon (#31BFE2) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (192°, 75%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#31bfe2
RGB
rgb(49, 191, 226)
HSL
hsl(192, 75%, 54%)
HWB
hwb(192 19% 11%)
OKLCH
oklch(74.7% 0.124 219.0)
P3
color(display-p3 0.3777 0.7385 0.8707)
HSV
hsv(192, 78%, 89%)
LAB
lab(71.83% -24.96 -27.94)
LCH
lch(71.83% 37.47 228.23)
CMYK
cmyk(78%, 15%, 0%, 11%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Prism
modifier

Greek πρῖσμα, something-sawn. As a color modifier, prism implies a Newtonian-rainbow-and-spectrum-splitting quality, the visual register of Newton-Optics-and-Cambridge-prism hand-Newtonian-rainbow-and-spectrum-splitting Newton-Optics-and-Cambridge-and-Trinity-College-prism prism-and-Newtonian-rainbow-and-spectrum-splitting surfaces under Newton-Optics-and-Cambridge-and-Trinity-College-prism 17th-century-natural-philosophy-and-rainbow-experiment spectrum-light. Sits at the modifier-and-cosmic end of the grid, parallel to corona and plasma in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#31bfe2
Original
#a9bae4
Protanopia
#92a9e2
Deuteranopia
#00cbca
Tritanopia
#a3a3a3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.17:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.68:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##31BFE2
Display P3
Display P3
color(display-p3 0.3777 0.7385 0.8707)
P3 has subtle headroomOKLCH chroma 0.124

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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